Rewind The Exit Tape, by Correlations

Rewind The Exit Tape

by Correlations

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Anthony Childs Far more going on here than mere nostalgia trip. Surprisingly deep, smooth but assertive bass lines and frequencies help sets this apart from cosmetically similar sounding releases. I love cassettes but this ABSOLUTELY belongs on heavyweight vinyl. Favorite track: Pulse.

Andrew H Nice stuff. Do the Pacific North West references extend to two of these tracks being named after brewing hop varietals? Favorite track: Side On.

Michael J Bates Really solid LP although, to be a tad critical I would have had more of a balance on side 2, replacing a beat track with an ambient one. Favorite track: Side On.

Kevin Russ I’ve been listening to this album over last few days and really like it. It’s going to get a lot more listens over next few days certainly. Lovely work Favorite track: Cassette Tape Side One.

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	1.	Japanese Garden 01:50
	2.	Side On 04:26
	3.	Gold Beach 02:52
	4.	Mount Hood 02:21
	5.	Black Glove Bad Love 03:49
	6.	Forest Park 02:15
	7.	Pulse 03:19
	8.	Alonso 04:22
	9.	Intertwined 04:20
	10.	Mosaic 02:18
	11.	Mid Level Influencer 02:12
	12.	Death of a Tastemaker 01:47
	13.	Cassette Tape Side One 17:34
	14.	Cassette Tape Side Two 18:14

about

Correlation’s ninth LP, entitled "Rewind The Exit Tape", follows on from his previous cinematic release Aftermath, taking inspiration once again from the West Coast in an oscillating world where Vangelis & Froese drive out of the sunset into town with Death Grips on the stereo!

A tape cassette version of this album is available here:
cissublibrary.bandcamp.com/merch/correlations-rewind-the-exit-tape

Neil Hale: "Rewind The Exit Tape" lives in the same universe as my other LPs "Night Acquisitions" and "Aftermath". It’s intended as a follow on to "Aftermath" using a similar sound pallet with a few new gadgets and instruments thrown in. A lot of my music doesn’t have a concept so it was fun diving into a faux soundtrack world again and thinking about creating another space for a few loosely imagined characters. I’d be lying if I said it was anymore planned out than that, but something I have enjoyed doing whilst making an LP like this is to research locations where I think the story could take place and use locations/monuments etc for song titles and inspiration. I’m not sure if it makes any difference to the overall outcome of the sound but I like to think so.

The previous LPs were set on the West Coast of the USA. I plumped for the Pacific Northwest. I also have a couple of friends in that neck of the woods which piqued my interest. Also why do a lot of cults seem to end up or pass through there? Fuck knows!

I’d been enjoying a fair bit of modern hip-hop production so fancied trying to switch up my drum programming a bit on a few tracks, oh yeah I also loved the programming (and indeed everything else) on the last Dalham LP so that was in my thinking a bit too. Basically I wanted to make a load of really heavy tracks and some more reflective cinematic fair so I hope I came close.

Hope you enjoy.

Cheers, Neil.

credits

released October 7, 2021

All music by Correlations.
Mixed by Simon James.
Mastered by Antony Ryan.

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